Control:
- Grass Valley Kayak 450 HD Switcher
- 4 full MEs plus a Half ME (4 basic keyers, no wipes)
- 80 inputs plus 16 MachDef input cross converters-Frame Sync
- Switchable 720p / 1080i
- 16 DVx (Transform Engines) 1 per keyer on each full ME.
- Abekas HD ClipstoreMXc DDR w/ Lance Controller
- HD Dual-Twin DVEous DVE
- 8 - rack monitor wall with 90 monitors
- HyperX HD CG
- Software: Lyric version 5.25 Build 781 and Lyric version 6.5 Pro Build 1256, eFX Plugin Control Panel, WS_FTP Pro, Winzip, MS Word & Excel (or equivalent) and Adobe Photoshop (or equivalent).
Cameras and Lenses:
- 10 Thomson LDK 6000 cameras 720p or 1080i switchable at the head
- 2 Canon 75:9.3 Hard Lenses (Image Stabilized)
- 1 Canon 72:9.5 Hard Lens
- 4 Canon 65:9.5 Hard Lenses
- 3 Canon 18:7.8 ENG/HH Lenses
- 1 Canon 11: 4.7 ENG/HH Lens(Wide Angle)
- 1 Studio Config Viewfinder for a HH Camera (when requested in advance)
- 1 extra long lens added for MLB dual-feeds
- 1 JVC 250 HD Cam (Available on request for use in booth or pregame where fiber exists; No CCU control from truck)
- 2 LPS Clock Cameras
Communications:
- RTS ADAM CS Matrix System (64 ports)
- RTS IFB system (12 channels)
- 10 RTS 4020 IFB belt packs
- 30 RTS BP 325 headset boxes
- 4 Telos One phone interfaces
- 3 RTS TIFF 2000 phone interfaces
- 12-line phone system
- 12 two-way radios with base stations
Disk Replay/Editing:
- EVS Networked Replay and Edit Systems
- Three 4-Channel HD XT Full Editing Units (2in/2out)
- One controlled by Visitor Mobile Unit during dual-feeds
- One 6-Channel HD XT-2 Replay Only Unit (3in/3out; 4in/2out; etc.)
- XFile with removable hard drives
- 1 A-500 Digibeta, 2 BVW 75s Beta SP (All tape machines are for PB/Rec only, no slo-mo)
- DVD Player/Recorder
- 2 VHS VCRs
- 7 Rane Stereo Audio Delays (hard-wired to VTRs and Fast Forward, not patchable)
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Audio:
- Euphonix System 5-B Audio Mixer
- 96 inputs, 96 outputs (82 or 106 channel control available on request)
- Surround Sound (Surround Sound Mixing Manual [1.1 MB] - Audio Board can output 6 channels of audio for surround sound however, providing encoders for transmitting surround sound are the client's responsibility).
- Two Digicarts with 220 keyboard
- CD Player
- 5 Audio-Technica AT 4071a (long shotgun mics)
- 6 Sennheiser MKH 416 P48 (short shotgun mics)
- 6 RE 50 mics
- 5 625 mics
- 7 Sony ECM-77b lavaliers
- 7 Sennheiser HMD Sportscaster headsets with 7 talkback boxes
- 2 Rane Stereo Audio Delays
- Tektronix 760 audio scope
Engineering, Cable and Miscelleneous:
- 96 x 256 Video Router HD
- 96 x 96 Audio Router
- 21 NTSC/SDI to HD Upconvertors (includes integrated Frame Synchs)
- 10 DPS 575 Frame Synchs
- 2 Leitch X75 HD Frame Synchs/Convertors
- 4 HD to SDI Downconvertors (two for transmission)
- Cable: (More cable available if shipped separately)
- Triax: 5*50'; 10*100'; 4*250'; 2*500' 3*4pr mults @ 125'
- 5-coax Mult: 5*125'
- Single Line Coax: 2*250';5*100'
- DT-12 Audio Mult: 5*50';4*100'; 2*130; 3*275'
- 4-Pair Audio Mult: 1*250'; 3*100'
- Power Cable: 150'
- Six 13" portable color monitors, ten 9" portable color monitors
- Chyron Codi Telestrator with flat touchscreen
- Rack-mounted Clock/Score system for Fox Sports
- 2 lighting kits
- Power: 208 VAC, three-phase, 200 amps (A separate 200 amps of three-phase 208 VAC power may be required in high-heat/humidity locations)
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